Let Go (Smallville)
May. 25th, 2025 05:05 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
Let Go, by Andariel. shrift: Um. This is such a hot Lex and Chloe story that I’m no longer coherent. That’s all you really need to know.
Let Go, by Andariel. shrift: Um. This is such a hot Lex and Chloe story that I’m no longer coherent. That’s all you really need to know.
Another Way Out, by Livia. shrift: “It makes Selina tired just to watch. Tired and a little angry. She always gets angry when she has to look at things that are trapped.” Link currently broken.
When should we have Round 151?
30 May - 1 Jun
4 (57.1%)
6-8 Jun
3 (42.9%)
13-15 Jun
4 (57.1%)
20-22 Jun
1 (14.3%)
27-29 Jun
3 (42.9%)
who knows, I'm on Drag Queen Time in June
3 (42.9%)
I should be free sometime in 2058
3 (42.9%)
Tiquy Boxx
4 (57.1%)
the time has come for you to Rush for your life
4 (57.1%)
Down Through the Morning, by Kyra Cullinan. Nestra: Kyra wonders what would have happened if Willow and Tara’s positions in Seeing Red had been reversed. I find Tara a difficult character to pin down in fic, but I like what Kyra does.
Which of these books would you MOST like me to review?
When the Wolf Comes Home, by Nat Cassidy. Horror novel about an out of work actress on the run with a little boy.
12 (9.8%)
The Adventures of Amina al-Sirafi, by Shannon Chakraborty. The rollicking adventures of a middle-aged mom PIRATE in fantasy medieval Middle East.
66 (53.7%)
Diary of a Witchcraft Shop, by Trevor Jones and Liz Williams. What it says on the can: a diary of owning a witchcraft shop in Glastonbury.
18 (14.6%)
Sisters of the Vast Black, by Nina Rather. SPACE NUNS aboard a GIANT SPACE SEA SLUG.
47 (38.2%)
Making Bombs for Hitler, by Marsha Forchuk Skrypuch. Children's historical fiction about Ukrainian children kidnapped and enslaved in WWII, by a Ukrainian-Canadian author.
16 (13.0%)
Under One Banner, by Graydon Saunders. Commonweal # 4!
18 (14.6%)
Archangel (etc), by Sharon Shinn. Lost colony romantic SF about genetically engineered angels.
24 (19.5%)
The 7 1/2 Deaths of Evelyn Hardcastle, by Stuart Turton. Historical murder mystery with time loops and body switching.
26 (21.1%)
Irontown Blues, by John Varley. Faux-noir SF with an intelligent dog.
9 (7.3%)
Blood Over Bright Haven, by M. L. Wang. Standalone fantasy that kind of looks like romantast but isn't, with anvillicious anti-colonial themes.
17 (13.8%)
An Immense World, by Ed Yong. Outstanding nonfiction about how animals sense the world.
41 (33.3%)
Spring, Summer, Asteroid, Bird: The Art of Eastern Storytelling, by Henry Lien ("Peasprout Chen"). Nonfiction, what it says on the can. Not all stories are in three acts!
37 (30.1%)
Blacktongue Thief, by Christopher Buehlman. World's greatest D&D campaign in a truly fucked world.
19 (15.4%)
‘Discovered’ in Sweden in 1925 by Louis B
Maher, the famous chief executive of Metro Goldwyn Mayer (MGM), Greta came to Hollywood
with frizzy hair, crooked teeth and no English. She was transformed into a
stunning beauty known for her charisma and magnetism throughout the silent
screen era then into the ‘talkies.’ Maher first marketed her as a vamp in a
series of steamy movies. Her role in Flesh and the Devil catapulted her to box
office stardom with her sizzling on screen chemistry (and off-screen romance)
with her co-star, John Gilbert. Garbo later became famous for her melancholic portrayal
of tragic characters such as the dying Camille or doomed Anna Karenina. She was
praised for her subtle acting style where ‘worlds could turn on the movement of
her eyes.’
Unable to speak fluent English during the
silent era, she was reluctant to convert to sound films until she mastered the
language. Her debut speaking role in Anna Christie, (1930) was billed with the
tagline ‘Garbo talks’. Her famous first spoken line was ‘Gimme a whiskey, ginger
ale on the side, and don’t be stingy, baby.’ The movie became the highest
grossing film of the year and ‘Garbomania’ ensued. When she starred in Mata
Hari, crowds were so rowdy that police reserves were called in to control the mob
waiting outside the theatre. After appearing in the Oscar winning film Grand
Hotel, Garbo was dubbed ‘the greatest moneymaking machine ever put on screen.’
In 1932, her contract with MGM expired and
she returned to Sweden. However, she was lured back to Hollywood on the condition
she could make a movie about the Swedish Queen Christina. The 1933 film was
marketed with great fanfare as ‘Garbo Returns’. She earned a salary of $300,000
which equates to approximately 7 million today.
Queen Christina depicts the life of the unorthodox C17th Swedish queen who ascended to the throne at age 7 (although she wasn’t crowned until she turned 18). She was one of the most erudite women of her time, and has been described as the ‘Minerva of the North’ due to her strong support of arts and academics, the magnificent library she established, and her extensive art collection. Unfortunately, her extravagant lifestyle pushed the state to near bankruptcy and caused public unrest.
Her scandalous conversion to Catholicism,
and refusal to marry, led to her abdication and move to Rome at age 29. Pope Alexander VII described
Christina as ‘a queen without a realm, a Christian without faith, and a woman without
shame.’
Christina’s father educated his daughter in
the style of a prince. She wore men’s clothes and participated in fencing,
horse-riding and bear hunting. She was said to be hirsute and masculine in
features. Biographers vary in classing her as gay, bisexual, asexual or intersex.
Christina herself wrote she was ‘neither Male nor Hermaphrodite, as some People
in the World have pass'd me for.’ She was said to be romantically involved with
women, in particular, Ebba Sparre. She maintained a close friendship with
Cardinal Decio Azzolino (whom she made her heir) but it is doubtful theirs was
a physical relationship.
Christina died at 62 having lived a life crammed with scandals, high culture and unconventional behaviour. However, the queen portrayed in Garbo’s movie was far removed from reality. The scriptwriters correctly portrayed Christina as being raised as a son who wore male clothes but the reason for her abdication is contrived. Her determination to remain celibate and convert to Catholicism is ignored. Instead, she leaves the throne for the love of a Spanish nobleman (played by John Gilbert). Garbo herself was troubled by the film’s historical inaccuracies and absurdities. She dreaded what her fellow Swedes would think. Nevertheless, the movie is famous for two scenes. The first incurred the ire of the censors as Garbo, dressed as a man, kisses Ebba. The other is the final sequence where Christina sails from Sweden to Spain after her lover has died. She stands stoically at the bow of the boat looking into the middle distance as though a living figurehead on a prow. The film became a box-office triumph and was the highest-grossing film of the year.
Garbo retired at 36 having made 28 films
over 16 years. She was nominated three times for a best actress Oscar but never
won. However, in 1954, she was awarded an Academy Honorary Award ‘for
her luminous and unforgettable screen performances’. She failed to show up at
the ceremony, and the statuette was mailed to her. The American Film Institute
ranked her fifth on their list of greatest female stars in the classic golden
years of cinema. In her personal life she appeared to suffer from depression
and led a reclusive life. She also was said to be bisexual. Like Christina, she
was an avid art collector. She is forever associated with the quote ‘I want to
be alone’ when in fact she later clarified she said ‘I want to be let alone.’ She
was denied her wish. To this day people rake over the details of her life,
intrigued by one of the most iconic screen goddesses of the 20th century.
Elisabeth Storrs is the author of A Tale of Ancient Rome series. She is also the founder of the Historical Novel Society Australasia. Find out more at www.elisabethstorrs.com
Images courtesy of Wikimedia Commons
Drowning in Syrup, by Pearl-o. shrift: Chloe comes home from New York. Life in Smallville is a stranger.